RYAN ASK
Multimedia production to bring your story to life
@atryskmusic
ryanask33@gmail.com
Media for
Vyhara
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Mr. Wobbles
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Hyperlight
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Tape B
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Daggz
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Chmura
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Saturna
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Basstripper
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Gunpoint
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Copycatt
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Dela Moon
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Untz Festival
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High Vibe Festival
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Holmesick
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Hostage Situation
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Jilli
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Skysia
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Underground Selekta
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Muerte
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Wodd
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SFam
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Big Blok
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Chandler Leighton
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Plexus Play
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Vyhara - Mr. Wobbles - Hyperlight - Tape B - Daggz - Chmura - Saturna - Basstripper - Gunpoint - Copycatt - Dela Moon - Untz Festival - High Vibe Festival - Holmesick - Hostage Situation - Jilli - Skysia - Underground Selekta - Muerte - Wodd - SFam - Big Blok - Chandler Leighton - Plexus Play -
Original Music
I started producing back in 2016 inspired by videogames. I’m still working on music to this day and have gone through 2 different music education programs, as well as collaborated with some big names in electronic music.
Music to visual media
During my time at Icon in Burbank, CA, we created music for visual media demos for commercials, trailers, and vanity logos. Here are 2 of my favorites.
Dolby Trailer
For this audio re-design I took inspiration from the journey the dolby trailer takes you on, with different musical themes for each scene. All the music and sounds are original
Kinowelt Vanity Logo
I created 2 different versions. The first example uses sounds that I synthesized from scratch, and the second example uses orchestral sounds.
Serene Sound
Audio Engineer
More Info
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I started producing back in 2015 because I wanted to make custom songs for a video game called Geometry Dash, but I quickly fell in love with the energy and groove of electronic music. I’ve made most genres but my specialties are DnB and Neuro Glitch Hop. I have a penchant for groove, precise mixing, and creative effects.
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Most of my sounds are made using Serum, Vital, Phase Plant, or using audio resampling techniques. I also use mudpie technique where I record long audio clips and find the best parts to use later. I’ve built 2 sample packs you can find on atrysk.com
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During high school I attended a vocational program called Warren Tech where I learned to use a console for setting up headphone mixes and stage monitors. In college I took classes on physics of sound, and at Icon Collective we dove deep into studio techniques, signal flow, and live performances. I then joined the Serene Sound Production team and got experience setting up and running sound at 8 different venues in California and Vegas for some of my idols.
Here’s some more information about my background as a music producer
